Εμφάνιση αναρτήσεων με ετικέτα album reviews. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα album reviews. Εμφάνιση όλων των αναρτήσεων

DEAP VALLY-"Marriage"

 

DEAP VALLY-"Marriage"


 
Who said Grunge is dead? Garage ,grunge punk rocking duo DEAP VALLY gives something more than half hour of distorted angst ,polarized with the world no barriers rock n roll written all over it. In your face, dirty, distorted with vocal harmonies from the Hammer Horror film school "Marriage" is an album where NIRVANA meet WHITE STRIPES meet Alice Cooper meet Iggy Pop and the result is not for the faint hearted. Slow, rhythmic, groovy, metallic, comes from the swamps of the garage 60s and wings at the early Grunge years aiming to the mojo. 

 
 
The album is product of experimentation and collaborations as they invite in collaborators such as KT Tunstall, Peaches, Jennie Vee and jennylee, as well as a range of producers including Allen Salmon, Josiah Mazzaschi and Harvey Mason Jr. The LA duo stretches their limits and produce a modern garage rock album, groovy and hypnotic for the 00 generation who live on their cell phone screens, short and immediate,direct and immense.

7,5

NASHVILLE PUSSY-"Eaten alive"

 

NASHVILLE PUSSY-"Eaten alive"


 
When we talk about bastard children in rock n roll mythology, NS are among the most successful among them. Often described as the bastard son of AC/DC and MOTORHEAD they have a few line up changes but the spirits remain high and stuck to the original dream, of dirty, distorted, sweaty, drunk and sexy rock n roll. The core duo and couple delivers with the help of a dazzling live album that ooze sweat, beer and cheap cigars. From the opener "Kicked in the teeth '' an AC/DC cover to their own minor or major hits , NP are what they are: an honest heavy rock band that plays fast, loud and dirty. If you haven't heard them till now, this will be a great introduction to an honest, wrecking ball rock n roll band.
 

 
 If you have seen them on stage as I had the luck, you'll just love the sheer power of this live album. In your face, screaming, tight as a Nashville pussy,sexy as a Nashville pussy and most and above all,politically incorrect, aggravating, provoking rock n roll as it used to be and NS still are. Twelve bars distorted high on speed and totally drunk rock n roll for those about to rock.
 
 
7

The war on drugs-"I don't live here anymore"

 

The war on drugs-"I don't live here anymore"



Tom Petty meets Fleetwood Mac meets BOC (Spectres era) and a great middle of the road  rock album is born. At songs like "Victim" you feel the dancing heat melting the rock stereotypes to create a song smooth and addicting as blood for vampires. The war on drugs is giving a great modern rock album that carries the MOR spirit of Tom Petty , his rock muscle combined with the more FM approach of Fleetwood Mac. I wish only for Stevie Nicks to have a chance to participate in this album. Mellow, rhythmic, dreamy, spacey and above all overflowing with melody and musicality, medicine for tired ears and lost souls.


7,5
 

 

Cynic-ascension codes

 


Cynic-ascension codes

 

      
Fusion,prog metal meets new age and disco in an album, delight to the listener, never too heavy, never too prog,where melody meets masterful command of the instruments and everyone puts his input to raise the compositions above the technical yet soulless level where most progressive metal bands stand. The element of new age and even more pop elements is existing at the most part of the album, leaving self indulgence aside, to create musical landscapes that captivates the listeners mind and leave unforgettable to his soul.
 
 

 Don't ask about the musicianship as it is of the highest form and standards. Relax, think and dream listening to CYNIC breaking the codes once again making paradise accessible for all of us out there who listen to music with the heart and not only with our minds.impressions

8


Lucifer- Lucifer IV

 

Lucifer- Lucifer IV

 
 

Swedish/German retro occult rock with the collaboration of Joanna Sadonis Andersson (THE OATH) and Nicke Andersson (HELLACOPTERS-IMPERIAL STATE ELECTRIC). Melodic, dark and sinister, Lucifer IV winks at Roky Erickson and FUZZTONES at the same time while biws to BLACK SABBATH, MERCYFUL FATE and distinguish itself due to Sadonis unique voice. Songs that could be instant hits like "Crucifix-(i ll burn for you" and the Robin Beck/KISS influenced "Bring me his head". The melodies are catchy and have the bitterness that is needed to make the album a dark rock masterpiece and not another sugar coated retro rock relic. But Andersson's feeling for a good melody is impeccable and works even at the more dark moments of this band as rock n roll is always the base the ground of his composing work."Mausoleum" is another example of the majestic melodies and atmosphere that LUCIFER creates ,with the additional help at composing of the other guitar players of the band guitarist Linus Björklund’, as well as guitarist Martin Nordin.
 


 
Its been some time since retro rock has sounded so dark and attractive, giving a wink to the underground and the 60s horror film music, keeping the heaviness and the melody firmly attached If the GHOST didn't mind so much for their popularity they may have sounded like these."The funeral pyre " a small instrumental  is another example how, music can be melodic yet scary in the old horror films way without showing too much but insinuating much more."Cold as a tombstone" is groovy, proto metal, like BLACK SABBATH met JEFFERSON AIRPLANE."Louise" has the 60s groove that NA loves.An album that shows the improvement of the band, stylistically and musically, moving from the occult underground to the more mainstream retro rock scene, keeping their dark sides intact and un compromised.

8

Land of Gypsies-"Land and of gypsies"

 

Land of Gypsies-"Land and of gypsies"


 
Land Of Gypsies, formerly known as Gang Of Souls, is a new L.A. based band featuring  vocalist Terry Ilous (XYZ, ex-Great White), together with producer and bassist Fabrizio Grossi (Glenn Hughes, Supersonic Blues Machine, Eric Gales, etc.). Rounding out the lineup are Serge Simic on guitar (The Slam, Supersonic Blues Machine) and Tony Morra on drums.
Blues infused hard rock with some Led Zep.some Bad Co, a bit of FOREIGNER and a lot of 70s with Terry Ilous giving a lifetime performance. A bit more commercial than LedZep with some great organ and DP influences plus a bit of funk at songs like "Not an ordinary man" the band is firing at all cylinders. A band that Glenn Hughes would definitely love to sing at. 
 

 
'Shattered" has this modern female rock feeling kinda Anastasia, while "Trouble" moves more in to the SMALL FACES, HUMBLE PIE, BAD COMPANY field with some vintage WHITESNAKE thrown in and it is tasty as it can be.XYZ  along with SUPERSONIC BLUES MACHINE are influences but the band aiming for a more modern blues infused sound.  "Somewhere down the line" been another fine example of their soul infused blues rock with a touch of the best of the 90s alternative hooks and melodies.On the other side "Rescue me" is the praise the Led Zep mid tempo song we all have expected and with ΙLous stellar performance learn to love.


7,5

Justin Sullivan-"Surrounded"

 

THUNDER-"All the right noises"



Justin Sullivan is Bob Dylan of my generation. A poet and secondly a seasoned musician with his punk, post punk origins allows himself some deep,emotional, introverted confessions. An album that as all his solo (two actually) works work on a low temper, slow pace tempo where the words are more important than the volume of the music.The main theme is as always, the human, abandonment,refinement, isolation, hope and fear in the way that Sullivan enters the dark rooms of our souls and opens the skylight. Covid 19 isolation became an inspiration for him to express some feelings and thoughts most of us were circulating all day, this last two years of quarantines.   




While musically is far from his main band NEW MODEL ARMY it is familiar to us who follow him on his solo endeavors. A bit trippy, a bit melancholic, it builds around emotions. His voice, like a New Age evangelist, sermons the Gospel of humanity and its burden through his own songs, from the ice covered "Amundsen" to the more coming home feeling of "Stone and heather". An album to listen to and let yourself be carried away by its sentimental volume. As powerful as every of his NMA works but in a far more introverted way. A silent revolution, an iceberg waiting for you to discover what lies beneath the cold ocean.

8

Steve Conte- "Bronx cheer"

 

Steve Conte- "Bronx cheer"




New York has everything punk, metal, power pop, street metal, rock n roll, new wave and Steve Cotne is part of this musical heritage. His new album starts with a new wave kinda song "Human animal" and continues with an in-your face punk rocker "Liar like you" moving backwards to the great rock n roll 50s with "Recovery doll". SC got the riffs and with a plain,lean,tight rhythm section, especially mention need for the down to earth, dedicated to the bone drums by Charley Drayton,with no overfill of the songs,just muscle he delivers an album honoring his musical history and collaborations till pow (NYD,Michael Monroe etc). "Wildmoon moon" is the song that Springsteen would love to have written along with the Ramones. "Flying" is a stripped down ballad, emotional based on the acoustic guitar and his voice, a bit like Paul Weller and it is a clear winner. 

 
 
"Dog days of summer" is a GEORGIA SATELLITES meets Bruce Springsteen uplifting tune for the summer (Covid 19 free) we ll want to live again "Overnight smash' is another great rock n roll tune, no brakes, just heading out the highway with music turned on at max. THE STOOGES get a rock n roll cover at "Those sexy lies", a tribute to Iggy and Co in the more appropriate way. Country and 50ws rock take the reins and a slow tempo countrified ballad "Guilty" melts the place. Next comes  a rocking "Degeneration" with some garage/rockabilly overtones to lift up the spirits. The album closer a bit RAMONES a bit NYD "Gimme gimme rockaway '' closes the album in a true punk rock way, in just 39 minutes of delight, no fillers. If the Goodfellas were into the rock n roll business this would be their album of choice.
 
8,5

THUNDER-"All the right noises"

 THUNDER-"All the right noises"



British rockers THUNDER are proving once more that they are aging like good wine. The more mature, the closer to perfection. From the opener "Last one to turn off the lights' a stormy rocker, to the more bluesy "Destruction",to the countrified  "The smoking gun '' their trademark melodies are all over the place. Great guitars  (Morley/Matthews-trustworthy twins, whiskey soaked vocals with the fine voice of ageless Danny Bowes and the album goes on like this. From BAD COMPANY to THUNDER,that's the real blood line, as THUNDER are now among the pillars of the British Hard rock with blues roots and they re stretching the genre adding melody, courting AOR on their own unique way. 

 

Their homage to AC DC comes in the form of "Going to the Sin city", although horns add an extra mile to their effort. But THUNDER are musicians of their age and listen to the beat of the world as they write songs like "Dont forget to live before you die" where AC DC meets Brit rock. Melodic, blues infused hard rock, is the name of the game and THUNDER are the masters of it. Even if they sometimes slow down a bit to relax and enjoy. Bit more Stones at "You re gonna be my girl" and the rock n roll feeling is alive and burning. burning the end of the album, THUNDER make some genuine rock n roll noise and 'Shes a Millionairess" closes in the best way a hard rocking album that knows when to let the tempo slow down and a band that enjoys rock n roll a lot more in their mature days, aiming more for the heart and less for the brains.


8

VOLBEAT- "Servant of mind"

VOLBEAT- "Servant of mind"

 
When METALLICA met rockabilly, VOLBEAT were born and they haven't stopped to surprise us and aim for world domination. Their new album is another compilation of rock a billy y metal dance songs like "Wait a minute my girl", songs to let you get your worries behind you. But on the other hand their metal origins are far more than obvious, they cry out their heritage in songs like "The sacred stones" a BLACK SABBATH infused song "Tony Martin " era with a touch of Eastern influences as we learned to approve them in our music by RAINBOW. "Shotgun blues" is a reminder to METALLICA, that losing your cell phone with the backup riffs is a bad idea, cause someone else, VOLBEAT in our case may find it and use it properly. Razor sharp riffs over a tight rhythm section at a song that will be a ive favorite, when we will return to the real concerts."The devil rages on" comes close to the best of the dark Elvis, but it is VOLBEAT till the last rock n roll growl."
 

 
Say no more" is another example of how heavy metal maybe trivial and yet pleasurable, reminiscent of the glory days of 'Ride the lightning" with the usual rock n roll cover attributes. "Dagen For" is a great chance to promote Denmark's own new artists and have Stine Bramsen sing a great pop oriented song that has a THIN LIZZY vibe and some ear catching melodies. But metal is their business and VOLBEAT are good at their work as "The passenger" proves, metal without losing its originality and its FM approach. Dark metal psychobilly  with country shades at "Step into light". "Becoming" is a return to the metal normality with the VOLBEAT melodic chorus adding the extra strength and some oriental melodic lines on guitars making the song a bit more exotic."Mindlock"  goes on the same  pace, melodic VOLBEAT metal with riffs that could demolish a ten store building in seconds. "Lasse's Birgitta" just adds more pain to their slow growing riff o rama, entering the thrash metal zone , heading for the mosh pit with no hesitation,eager for fist fight and spit."
 
 
If you re a fan of the band get yourself the deluxe edition. Listening to their cover of  Domino"(CRAMPS/Roy Orbinson)  ends the album in a true rockabilly metal way, like a real honky tonk joint having METALLICA clones as their house band, covering CRAMPS . Whatever is your choice, VOLBEAT again released the metal rockabilly album of the year.
 
8

 

WOLFMOTHER- "Rock out"

WOLFMOTHER- "Rock out"

 

 
Aussies are having fun. Andrew Stockdale and co  (?) return with a new album and are high on music. From the opener "Fallin out" with Jack Whites/WHITE STRIPE ghost all over the song, especially the manic , distorted riff and the vibe, to the im a cover but won't admit it "Rock out" that could be easily "Detroit rock city" by KISS, disguised as the main riff is accidental the same, WOLFMOTHER are diving deep in the blues/alternative songbook of the 90s and return with some shining diamonds. , "Upload' is a modern rock anthem with some 80s LA dirt all over it.''Humble" is his BLACK SABBATH/LED ZEPPELIN tribute and it suitsf ine the retro rock sound of the album with its groove and its guitars making the difference in every bridge, making Tony Iommi proud for his legacy. "Only way" is the "modern" approach with its electro intro, kinda like MUSE decided to leave the glamorous roles and get down to basics.
 

 
 
On "Metal and fire' he pays a successful homage to his heavy metal roots, at least those he still remembers could be BOC, could be JUDAS PRIEST or even PRAYING MANTIS and early BLACK SABBATH but with the NOWBHM feeling all over the riffage of the song."Outside" could be on any DUBROVNIKS album and is the best song Iggy Pop still haven't composed. "Mantle" is heavy metal, 80s infused and really stripped to the basics with the Ozzy impersonation, dominating his voice in the best possible way."Ego" goes also  the BLACK SABBATH territory with some excellent 70s soloing, a treat for the ears, with some HAWKWIND shades all over the song."Walking" comes as the suiting closer, a groovy , guitar driven anthem from the glorious alternative 90s. 
 
In conclusion, Andrew Stockdale of WOLFMOTHER as he likes to call himself these days, is exactly what he says, an old school dreamer, who knows to bring the best of the 70sand 90s to present without using any kind of time capsule, just his guitar and his voice.
 
8,5

 

The Lucid Furs- "Damn!That was easy"

 The Lucid Furs- "Damn!That was easy"


 

Groovy, retro rock where female and male lead vocals combine and change lines at the funky opener "Right on my level" gives you the idea what to expect. Here we dont have another Zep clone. On the contrary Santana, MOUNTAIN, FUNCADELIC, JEFFERSON AIRPLANE,HEART are all here jamming over a loose groove with persistence, patience and the will to tear the joint apart with the sheer power of their music.  "Five finger Disco" is the second in line barnstormer, where rockers meet the groove in some 70s underground NY Disco club, embracing themselves in a rhythm dance that lasts for ever until the guitar make the rock origins visible and audible. Detroit's Lucid Furs come third time and the charm is here. Chicago blues at "Lying again" and the voice of lead singer Karen O Connor lays her heart over a jazzy guitar riff. A bit soul, a bit blues but most and above all soulful defines the bands style as retro but not retro rock in the narrow way,revivalists did the last 15 years. 

 
 
Far more open to influences, they incorporate everything from Amy Winehouse to PORTISHEAD to Chess records artists and the result vindicates them."Pull the string" finds them going for a more big fat sound, Led Zep along Deep Purple let their spirit interfere with the song.The groove is back at "Conscience" reminding of the great BIG CHIEF,with bass rolling all over the song.  Hard hitting, guitar driven and rock at "Another page" with Blackmore's soloing meets Led Zep groove over some great female vocals, with a touch of early HEART."Straight to my head" follows the road, with Zep becoming more obvious along some Eastern influences and  rhythm section partying. "Follow me" keeps the 70s,psychedelia trip going on with speed increasing.  Closer "One time investment" with its acoustic overtones and O Connor in a trippy performance comes straight outta JEFFERSON AIRPLANE songbook spiced up with LSD, or whatever acid you might like and its a proper closer, for an album as retro,as contemporary.
 
7,5         



Kent Hill-'The rumble"

 

Kent Hill-'The rumble"



Good melodic, hard rock is a joy for the ears and when such a magnificent voice such as Kent Hill (PERFECT PLAN,GIANT) decides to make a solo album, (his first one) it is a double pleasure to listen more from him. You won't find anything more or less, than a singer who moves between Steve Perry and David Coverdale with a deep, melodic ,high pitching when needed voice in some more than adequate melodic rock songs. 
 

Although Frontiers has major issues with the plastic sound of the last decade, as a result of using the same people to compose, record,produce, in cases like Hill, his voice takes the reins and leads the songs most of the time above the average. An album of melodic rock in the vein of WHITESNAKE, HOUSE OF LORDS, SHOUT, TREAT, EUROPE that you won't regret listening to. An album perfect to drive, dance, laugh and enjoy music listening to.
 
8


PEARLz-"Feel fine"

 PEARLz-"Feel fine"



Female fronted German quartet with a modern hard rock sound that owns a lot to the LA scene and also to bands like GUANO APES with their new metal riff o rama. Straight in your face, dirty, down to earth, no bullshit heavy rock anthems with screaming guitars and great vocal delivery from Sandy. The songs are tight, aggressive with enough melody to keep them at the hard rock territory but with enough swagger and edge to make them contemporary. The more commercial side is equally attractive as you can find out on your own at the popish ,melodic "Empty cask" with the CRANBERRIES influences all over the song, but only influences.


 
 
Stand out tracks "Crystalline soul", "While we 're dynamite" where the band exceeds the expectations and combine catchy choruses with heavy riffs. I have also to mention , a stripped down metallic version of "Layla" that is anxious and full of aggressiveness making the original sounding like a nursery school lullaby. A debut that promises a lot.
6,5

TRAGIK- "Ultima radio" (Rock Company)

TRAGIK- "Ultima radio" (Rock Company)



Modern hard rock with a dark twist. Imagine the early years BON JOVI with some low tuned guitars in the vein of ALTER BRIDGE and CREED at some points but with the sense and essence of melody deep in the bands DNA. Songs like "One last time " have the world airplay written all over them, while 'Seeds of the sky" and 'Piece by piece" have a more heavy metal direction. As metal as ACCEPT were on 'Eat the heat". Far more melodic and anthemic kinda SCORPIONS or shall I say BONFIRE try to modernize their sound. The guitar work is as usual top notch and the songwriting a bit confusing sometimes, as it is always diverse from the ballad "All i have left" to more left wing melodic pieces like "Requiem" where BEATLES meet TROUBLE over some ULTRAVOX melodic lines. 
 
TRAGIK consists of Damian D’Ercole (Guitars, Percussion), Dirk Phillips (Drums, Keyboards) and Phil Vincent (Vocals, Bass, Keyboards)assisted on lead guitars by Vince O Regan and William Roux. . This power trio can pretty much play anything and everything from keyboard loaded AOR to more modern hard rock. It is a matter of prioritization and targeting where they want to be and how, if they want, to be categorized. For all of you who like their rock, catchy, modern and bit sugar coated at some points, TRAGIK have the package.
 
7

 

The Temperance movement- "Covers and Rarities"

The Temperance movement- "Covers and Rarities"



Once a big hope for British retro rock, today a vivid, mature hard rock scheme, seasoned on stages and with a new singer, TM releasing an album full of covers and rarities. A release to prove to any misled infidel, that they have the influences and the guts to honor them. LED ZEPPELIN, David Bowie, DEEP PURPLE (with the participation of Ian Paice) along with some Brit pop, BLUR (Tender), OASIS (Up in the sky) along with some of their own songs and the truth is bare naked laid in front of us. 
 

 
 From the DP cover where the band gives its own funk tempo, to the heartbreaking "Mothers eyes" the retro scene as it was defined by BLACK CROWES and QUIREBOYS is here, present and loud. TM have their own identity, bit ROLLING STONES,  bit FACES,  bit HUMBLE PIE, they deliver their rock brassed, smoked and with passion. Down to earth , they play the best, as music pours out of their hearts like the fountain of truth. Not overindulging they prefer to put the effort in being realistic and sensitive. 
 
They won't rediscover America with such an album, but they'll reinstate the faith of their followers, that the true belief and love for music, is still in their hearts burning like a never ending fire.
 
7

 

Matti Alfonzetti- "Shake my blood"

Matti Alfonzetti- "Shake my blood"



Modern melodic Hard rock by one of the most underrated voices, Mark Alfonzetti. For those of you who are unaware of his musical past, he has his tenures as led singer in bands such as BAM BAM BOYS, JAGGED EDGE , SKINTRADE, ROAD TO RUIN. With a raw, yet melodic voice,that brings him to the category of singers like Andi Derris, David Reece he releases this solo work, where furious melodic hard rock  like "Shake my blood"trades places with soulful mid tempo songs like "Say Goodbye". Alfonzetti is a genuine Swedish melodicHard rock singer with his heavier moments, his fondness for the modern rock sound but a soft spot for the 80s AOR scene. The tenure in JAGGED EDGE left his mark in songs like the funky, groovy 'Who do you think you are". Bluesy and melodic, in the vein of MR BIG, late years EUROPE , Alfonzetti, brings the musical dreams to life in songs like 'Sanctified" where the groove meets the melody at a song that screams for airplay. This time Alfonzetti, who has gone back to his roots and together with Mikael Hujanen, Peter Forss, Johan Norgren, Henrik Bergqvist, Joel Sahlin and his son Dante created an album full of bluesy , yet FM oriented Hard rock. 'Digging in the dirt' with its melodic bridge and its heavy blues chorus is a fine example of the album's orientation. 
 

 
If you are into bands like COLD CHISEL you may understand my point of view.A melodic, yet bluesy,deep voice that has the versatility to serve both the FM as the more down to earth blues rock directions,allow Alfonzetti move in to various musical directions keeping the groove and the fire alive, without been utterly traditional or over the top contemporary. But it's the covers where he shows his own unique interpretation on songs we all know and love like at 'Don't believe a word" by THIN LIZZY ,where he transforms the song to a piano led, heartbreaking ballad, stripped down to the bones, leaving him and a piano."Kill my blues" could be easily at any of the post reunion EUROPE albums and been among the best songs they have written. In the same vein of hard rock with a bluesy touch, comes "Evil woman", muscular and anthemic.To put it simple EUROPE,SHOUT, MR BIG, WHITESNAKE, JAGGED EDGE, you like any of the aforementioned bands ,then you are obliged to buy "Shake my soul" period.
 
7,5

 

Me and that man- "New man,New songs, Same shit Vol2"

Me and that man- "New man,New songs, Same shit Vol2"




Third times a charm and Nergal knails it one more time.Along with a stellar list of participants , expected Myrkyr, Gary Holt and unexpected Blaze Baley, he gives us his own successful recipe of Dark, wave, alternative rock, folk,country and Americana, with some metal elements and praise the Lord (Dark or not) he is a winner.From the opener "Black hearse Cadillac' the last song we heard Hank Von Hell, a chilling moment as the album was released the day we were informed on the death of the Great Norwegian singer, a creepy , chanting introduction, and soul searching lyrics, a cry for love and attention-who really gives a fuck and listen to the lyrics and their meaning for the artist ,in his real life?the album set high standards as usual.A help from GHOSTs Papa V...Mary Goore and BOC meets Me and that man rocking over a James Bond movie theme.A blues out of the Gary Moore songbook is "All hope is gone" where instead of Johnny Cash, Blaze Bayley, yes the ex WOLFSBANE,IRON MAIDEN singer along with Gary Holt (Exodus) and Jeff Mantas Dunn (V) gives the best song of the album, a heartbreaking, emotional overcharged blues anthem. Americana and country & Western rules at "Witches don't fall in love"."Losing my blues"  and if MOTORHEAD would think to play blues, this is how they would sound with Chris Holmes (ex WASP giving this dirty 80s ,sunset strip soloing). 
 

 
 
Dave Vinsent (Morbid angel) does what he knows best at ' 'Year of the snake'', thriving the song from a low ride to self destruction to the depths of personal abandonment and misery, standing against everyone and paying the price. The haunting violin solo makes the song an Appalachian cry for freedom, a mountain song from the mountain of the dead and unbowed.Michael Graves (MISFITS) gives a stunning performance at the hypnotic, mesmerizing "Blues and cocaine" a song that makes the term "desert rock" at least obsolete with its internal, sheer, demonic power.Randy Blythe takes the mic at "Silver Halide echoes" and gives us a modern Moricone song for a western where no one survives, despite motivations and moral grounds.What makes Me and that man a project,everyone loves is that Nergal takes musicians from mostly the extreme sound territory and present them in a totally different package like Alicia  White Glutz and Dave Townsend at 'Goodbye' a haunting dark Americana ballad. The closer 'Got your tongue" with our "own" Chris Georgiadis is a great example of the alternative rock spirit that broke the limits between metal and rock in the 90s and still releases great songs to dance with. 
 
Me and that man for the third time produce an album that other artists need a whole life to conceive. We love their work and hope they'll continue to bring such dark pleasures to our lustful ears.
 
8,5


 

When rivers meet- 'Saving grace'

When rivers meet- 'Saving grace'

 

 
The killer duet of Grace and Aaron Bond from the UK returns to remind us of how good, soulful blues rock has to be played. 'He ll drive you crazy' is a song that lets the gutsy vocals of Grace Bond reign over the fuzzy guitar all together in a Zeppelin-esque piece of music. If you already had their first album you know that WHEN RIVER MEETS are a band who wear their heart on their sleeve. They like their music, groovy have a soft spot for the blues and take the lead from where BAD COMPANY, Joplin, SAINT JUDE and less THUNDER (they are still active0)left it. 
 

 
'Don't tell me goodbye '' has the 'Wild horses" /country rock/americana (sic) feeling  with both musicians taking turns at the vocals and yes we love the emotional burden it carries. Groovy as hell at 'Do you remember my name" they keep the game simple and effective, aiming straight to the heart, without imitating WHITE STRIPES, BLACK KEYS etc but with a more alternative twist.Modern blues with a soulful touch is also the main theme at "Have no doubt about it"."Eye of the hurricane" has the lead vocals roles changing with Aaron coming upfront assorting by some haunting backing vocals by Grace in a dark Americana song.The temperature rises with the rocking "Testify", an in your face rocker with some great backing vocals enforcing the final result.Grece bond gives a thrilling performance at "Shoot the breeze", a groovy blues rocker while the tempo gets funkier at "Lost and found' and the song a bit more commercial and contemporary. 
 
Second album and the Bond family getting stronger and stronger at the songwriting and delivering departments. A Modern rock album that looks at the blues and winks at the more contemporary sounds, always within the rock context.They have the Grace with them and we hope for music s sake to keep having it by their side.

7,5

 

Dirty Kings-"Crown jewel"

 

Dirty Kings-"Crown jewel"




When NWOBHM meets US hard rock with an alternative twist, you have DIRTY KINGS. Electric and eclectic, their sound is defined by the characteristic vocals who gives a bit gothic, a bit alternative color to their songs. Check out "Locomotive heart" and "Marquee lady" to understand my point. Imagine T.SO.L  meets DIAMOND HEAD and early DEF LEPPARD with a touch of ANGELS and you might understand, not to mention some early Ted Nugent guitar riffing that demolishes walls. 
 

 
 
Heavy, bit melodic and most of all original , it may be a bit more than enough at some points,but at the end is an album that combines in your face aesthetic with the recklessness of LA and the muscle of Australian hard rock dressed in the leather and spandex of the early 80s at the UK metal scene. Colorado has its own way  to produce metal with heart and balls.


6,5

Moby- Porcelain: Μια αυτοβιογραφία (Ροπή)

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